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Free-friendly hockey history

Old-school, long-form, statistically relevant hockey history for the masses.

Time to Kill Now is and shall remain free-friendly. Membership lets readers support the work, helps improve the site for everyone, and offers regular posts a week early plus access to bonus digressions and excessive notes.

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The Strange Career and Triumph of Tommy Anderson

A nice trivia question: who is the only Hart Trophy winning skater eligible for the Hockey Hall of Fame who has not been selected? Answer: Tommy Anderson of the 1941–42 Brooklyn Americans. Anderson got his start as a journeyman winger who, at times, verged on the pretty good. As a forward he never led an NHL team in scoring but could occasionally come close. Then Anderson moved to defense and became, if not Bobby Orr, at least Brad Park for a day. In 1941–42 Anderson scored a record 41 points from the blue line, won the Hart almost naturally, and never played big-league hockey again.

It was the most improbable of Hart Trophy seasons, but there was far more to Anderson than his one great season or even his otherwise-modest NHL career. For all its strange turns, Anderson's career summarized an era of hockey that has almost passed from living memory.

Born in Edinburgh, Anderson emigrated to Calgary with his family as a toddler, then moved to nearby(-ish) Drumheller as a child. Anderson was something of a local phenom. Nicknamed "Cowboy," especially locally, Anderson turned out for the Drumheller CNR junior team alongside his brother Liston. In one memorable game, the Anderson family played the Drumheller juniors minus Tommy and Liston. With their father Alex, who allegedly had never been on skates before, in goal, the Andersons beat their junior teammates 5-4. By December 1929 the 19-year-old Anderson was described as "the idol of the fans all of last season," which seems justified, and "a speedy skater," which perhaps does not.

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Icing the Icing Rule

I have to imagine no rule so obvious has had so much ink spilled over it as the icing rule. Touch, no touch, or hybrid? How hard can you play the body trying to make or beat out an icing call? Should you be able to ice the puck on the penalty kill? If your goalie is out and you ice the puck, where's the faceoff? It has sure taken a lot of thought to get to the form we have today.

In order to be quibbled over, the rule had to be invented. That came surprisingly late in the day: before the 1937–38 season, Boston Bruins supremo Art Ross got the icing rule into the books alongside other familiar, and controversial, rules: consequences for firing the puck over the boards, a faceoff if the goalie ties the puck up along the boards (now sadly practically obsolete), a penalty shot for a skater deliberately covering the puck near the goal, and so on. It was part of a Depression-era effort to speed up play and increase scoring, and therefore excitement, at a time when the very league was holding on for dear life.

You probably know that, and you may have heard of the infamous game in which the Bruins "iced the puck" nearly 90 times, resulting in a borderline-inevitable 0-0 tie. What you may not know is that infamous game was on January 3, 1932. Over five years passed between the nadir of the no-icing era and the first flash of what became the icing rule, and we don't really know why.

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What Was the Deal with Doug Harvey?

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It would be absurd to call Doug Harvey "overrated" even if it was true. He was the best defenseman in the NHL between Eddie Shore and Bobby Orr; to say that maybe he should have won five Norris Trophies rather than seven is hair-splitting to the nth degree. But he seems to have picked up a strange reputation, or perhaps a reputation for having a reputation.

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Punch Imlach and the Class of ’67

Punch Imlach must be the worst great coach in hockey history—or the greatest terrible coach. Good luck picking. We associate him with surliness and victory, and Dave Keon could tell you how well Punch played the "ruthless win-at-all-costs loyalty-free bastard" game, but Imlach also drove Frank Mahovlich out of town when he was one of the best forwards in hockey, convinced prime Carl Brewer to return to amateur hockey, and gave up on enough talent that the Leafs could have been the Habs. He built the second-best of the 1960s expansion teams, the Buffalo Sabres, but the difference between second and first was a long way. As surely as Imlach whiped the last championship Toronto Maple Leafs across the line, he also set the tone for the great underachieving Leafs of three generations: teams which knew better than to give their best because whatever they did, the cobra could turn and strike. Teams with plenty of money and talent and an underlying suspicion, so long as you punched problems like Tie Domi or did not presume to be too talented, this was a pretty soft gig.

Some men make hard, unpopular decisions because they would rather win than play favourites. Punch Imlach was not that man. Few were more passionate than Punch Imlach, and few held to their favourites with more tenacity. The number of miles he tried to ride out of Dick Duff, Eddie Shack, or Floyd Smith long after it was time to put them down blows the mind. He took those guys to the Sabres and it didn't work, except for the troublesome fact that it kind of did: it was a team that could never win a title but was, for a hot minute, better than it had any right to be. And the Leafs? So what if Johnny Bower was 75 years old and had pleurisy; he led the league in save percentage three times in his forties. Tim Horton got his license in a Model T, and Allan Stanley was somehow older, and unbelievably it worked exactly well enough.

And he won. He won in the Original Six, but they don't repossess the pennants just because 26 more teams came later. He won more than any other coach of his era who wasn't Toe Blake, and the Habs were almost a special case. You couldn't exactly say he won in Buffalo, but he definitely did not bad. He is the best Leafs' coach since the Second World War and maybe the best Sabres coach ever. Everyone blames Harold Ballard for what happened in Toronto, but old Harold's been dead for almost 40 years and his idea of hockey looks a lot like Punch Imlach's. Some people, even when they seem to know everything about the game, can't get teams to win, and some, even when they seem insane, overachieve for longer than seems possible.

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The Great NHL Defensemen of the 1960s

Earlier this summer I saw Bard on the Beach's production of Antigone. It was very good, with one quirk. The language was mostly respectable modern pseudo-epic: while not authentic it tried to sound ancient and tragic, except for when it didn't. Antigone would have some poignant speech, and Creon would look at her and say "are you fucking kidding me?", and the crowd would laugh and my brain would shift from fifth to second without a clutch and leave a stream of engine parts and motor oil on the highway of dramatic appreciation.

The NHL's defensemen in the 1960s were a lot like that.

It was the last decade of the Classical Tragic Defenseman. Tim Horton. Doug Harvey. Allan Stanley. Red Kelly. Marcel Pronovost. They were excellent players, too excellent to make one type—Pronovost was almost, but not quite, modern—but part of an extended family. Most of them only kinda skate, most of them could drink, those who couldn't drink thought they could, they all had some just obscene weakness. Horton, maybe the best defenseman of the decade, couldn't see. Harvey, whose best decade was the '50s but was still good in the '60s, was an actual alcoholic, not merely a hard-drinking hockey player. Pronovost's body was made up of so much scar tissue that he couldn't move. Yet the league's standard of defense was such that not only did they all play until they were a billion years old but they played well. The 1967 Maple Leafs were called the "Over the Hill Gang" because Lester Pearson may have passed the Canada Pension Plan as a subsidy for their blue line. And you probably remember how the 1967 Maple Leafs did. It wasn't just that these guys were incredibly old, it's that it was good to be incredibly old.

Then, right at the end of the decade, you see Bobby Orr and Brad Park, who changed everything, standing out in history like an F-bomb in the middle of Sophocles. Well, actually, to be more strictly accurate, you have Pierre Pilote, who perhaps was to Orr what Sophocles was to Shakespeare, the man who seemed like a one-off until he wasn't.

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